UNMIK on AIR

Docufest Film Festival

By Andrea Saula

 

 

Hello and welcome. This is UNMIK On-Air.

 

In the beginning of September, the city of Prizren served as the film capital of Kosovo, hosting “Docufest,” Kosovo’s international documentary and short film festival.

 

Official master of ceremonies, Kosovo author Fatmir Lama, helped present some 35 documentaries and short movies from 19 countries.

 

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DocuFest began three years ago when two Prizren film buffs, Veton Nurkollari and Aliriza Arënliu decided to do something for the local film scene - complicating matters was the fact that Prizren lacked even one cinema.

 

“We didn’t have an idea how the festival is supposed to be organized but we had a strong will”, says Nurkollari, co-director of the festival.

 

Three years after their beginner’s attempts, the young men are happy with what they’ve accomplished. UNMIK on AIR spoke to Nurkollari after the wrap-up of this year’s festival.

 

Nurkollari - "We had less documentary films this year but we were luckier with the short movies. We had a very good selection of short movies and I’m sure that even bigger festivals would be proud on this kind of selection. We were lucky to have contact with the European Film Academy from Berlin who sent us a collection of 12 of their best short movies that were selected for the European Film Award - the “Felix”.

 

Atmosphere Pretty Dyana

 

An excerpt from Pretty Dyana - that took this year’s award for best documentary. The story details the life of Kosovo’s Roma refugees in a Belgrade suburb who make a living transforming Citroen ‘Dyana’ cars into vehicles more suited for the Australian post-apocalyptic film - Mad-Max.

 

Its director Boris Mitic has spent the last two years traveling across Europe with Pretty Dyana, which is his first film. He was in Prizren during the screening of the film, which is the first Serbian movie officially shown in Kosovo since the 1999 Conflict.  

 

Mitic - “Everybody was slightly afraid of how the audience was going to accept a Serbian movie. Especially the scene in which Romas sort of make fun of UCK. But, from the very beginning everything was received with laughter  People were applauding and at the end they came to congratulate me. In all the other festivals I've entered, the reaction was quite the same."

 

Mitic is planning to enter more festivals with his new movie, sarcastically titled, ”UNMIK Titanic.” He’s been invited to Europe’s biggest documentary festival in Holland - International Documentary Film Festival Amsterdam - to premiere his new work.

 

As for Kosovo’s film history  - documentary and short movie production flourished here in the past. Now, the Public Film Faculty in Pristina is among a host of private institutions teaching film in Kosovo - too few according to Veton Nurkollari, who doesn’t hide the fact that he was unsatisfied with this year’s documentary selections.

 

Nurkollari - "The difference between the quality of domestic and foreign movies is drastic, I have to say. This year we had just a few movies from Kosovo. I don’t know the real reason, but there were rumours that certain professors didn’t allow their students to send their movies to the festival. One of the first reasons to set up a festival like this was to give an opportunity to students to show their movies."

 

And teaching film to young people is of primary concern to Shibon Cleary an Irish filmmaker currently living in Pristina. She leads an NGO that teaches young people how to make film. She says that Kosovo’s youth is particularly hungry to learn film adding that there is hope for Kosovo’s documentary filmmakers.

 

Cleary - "Really in the end the audiences here do want to see more thoughtful more imaginative work about their own region. If anything there isn’t enough work, from the documentary film making point of view, which is actually more reflective, more classical documentary in fact. At the moment really I think we’ve gone up searching experimental work of thinking, which is really coming from a small group and small network of young people.

 

Cleary adds that short movie production in Kosovo will allow people, young people in particular, to start thinking in different ways - a diversity of thoughts and ideas where little institutional support exists.

 

Cleary - "We are talking about low budget productions. People are getting very small mounts of finance or self-funding them. That’s really a tendency across the world for independent filmmakers in terms of production."

 

Jury choices included for Best documentary “Pretty Dyana” by Belgrade director Boris Mitic. Danish film “Sma Skred/Small Avalanches” was rewarded best short honor. Special jury’ reward was given to Kosovan Ymri Lali for the film “The Start is Boring, the Middle Somehow, the End is Good” and the audience favorite was Burbuqe Berisha’s film “Kosovo 9/11.”

 

Meanwhile, DocuFest founders Veton Nurkollari and Aliriza Arënliu express hope that more Kosovo filmmakers will contribute to next year’s festival - all with the idea of vaulting Kosovo’s talent onto the world stage.

 

And this concludes today’s edition of UNMIK On-Air. Stay tuned as we bring you more cultural happenings in and around Kosovo.